“Blind Date,” by Max Barry.
She walks in and heads turn. I’m stunned. This is my setup? She looks sixteen. Course, it’s hard to tell, through the scope.
“Houston, We Have a Problem,” by J. Matthew Zoss.
I’m sorry, but there’s not enough air in here for everyone. I’ll tell them you were a hero.
Violence is a lingering theme, often conveyed with a power that lasts
long after the short time it takes to read these tales. Take “Cull,” By
L. R. Bonehill, a compressed post-apocalyptic snapshot:
“There had been rumors from the North for months. None of us believed it, until one night we started to kill our children too.
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